Shanghai Triad (1995)
In 1930’s, a young boy
named Shuisheng goes from England to Shanghai to his Uncle Tang as part of the
criminal organization as the Triad Boss. In Shanghai, Shuisheng become a servant
for a singer named Jinbao. Shuisheng could not do the “simplest” task such as
lighting a match for Jinbao, so she gave him the nickname as Bumpkin (as he’ll
be called that for the rest of the review). Jinbao’s life starts to get into
hazard when Bumpkin’s Uncle Tang and his members were being killed off by the
other criminal organization. Jinbao, Bumpkin, and Tang’s remaining member named
Song get relocated into a small island with little civilians to be hidden from
the public. However, as days goes by, Jinbao is not entirely safe, as the other
members of those felonies get close whacking her out.
Bumpkin could be a dull
example of a blank slate, but not as bad as Bella Swan from the entire Twilight
Series. Yes, the viewer supposed to be in slate’s shoe, but the slate now needs
a personality of their own to be interesting that to concentrated to be. When
Bumpkin loses his uncle, he doesn’t react with any expression other than the
same dull surprise. Jinbao is a singer with a complicated career mostly with
the organization, but has retained her childhood with music she used to know. The
music she knows and sing with a little girl is the original title of the film,
Row to Grandma’s Bridge. Jinbao’s personality is range from calm and collective
to a strict prima donna when she doesn’t get her desire. The Crime Organization
is criminal organization that’s no different than typical mafia, nothing
different from others. They’re kind of threatening to some of the members and
Jinbao, but there’s isn’t any investment in any of the other of them. This is
in common with the two terrible Baz Lurman films, Moulin Rouge and Great
Gatsby; a film stars a witness to record moments with the rich icon with a
chance of being killed. The difference with why this film (as well as a bunch
of other films) is better than any of Baz Lurman’s film is the music is
original and fit the timeline, and most of the scenes last more than five
seconds. There’s other body guarding films that’s mostly close in identity. Despite
this film came out three years after The Bodyguard with Kevin Costner and
Whitney Houston. Shanghai Triad is an interesting take on a young bodyguard to
protect a singer, but there’s got to be a better security to be passionate with
to raise and take a note.
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